Wednesday, April 30, 2008
summer
mumbai - delhi - guwahati - kaziranga - kohima - imphal - loktak lake - moirang - tuophema - guwahati - shillong - cherrapunjee - shillong - guwahati - delhi - surat - baroda - ahmedabad - baroda - mumbai
Monday, April 21, 2008
The Poets
When Teja got a SMS that said, "Meeting at 6.30. See you then. The Poets", I said, "Hmmm! I didn't know that about you."
He said, "It's the name of our cricket team."
I didn't laugh. It's a silly, absurd, sweet name for a silly, absurd, sweet lot that meets for net practice 2-3 times a week. The rest of the week, they spend calling each other, groaning over their aches and pains.
Teja is forever rubbing liniment on his joints and patting cold compresses over them.
One night before practice, Teja asks, "Why don't you come along too?"
I say, "For what?"
He says, "The ground is really nice. You could jog two rounds, and come back home. It would be fun."
I say, "What time?"
He says, "6.45."
I say, "Morning?"
He says, "Yes."
I say, "Ha, ha", turn and go to sleep.
He says, "Plus you'd meet everyone."
I deign to snore.
So Teja brings the lot over for breakfast. Now while I enjoy making huge, special lunches and dinners, for friends, family, neighbors, Dhanno's friends and sundry souls, anyone who expects breakfast out of me, usually gets banged on the head.
But this lot is so cheerful and excited after their practice, all boys again, dirty, sweaty, hungry, tired. And I can do nothing else but laugh with them, and get them something to eat. Teja makes khatta-meetha upma and I make them tea.
Anyone who wants to play with the Poets is welcome. Bring your own liniment and cold compresses along. And your own breakfast. Perhaps I will go one morning, and take some photos.
He said, "It's the name of our cricket team."
I didn't laugh. It's a silly, absurd, sweet name for a silly, absurd, sweet lot that meets for net practice 2-3 times a week. The rest of the week, they spend calling each other, groaning over their aches and pains.
Teja is forever rubbing liniment on his joints and patting cold compresses over them.
One night before practice, Teja asks, "Why don't you come along too?"
I say, "For what?"
He says, "The ground is really nice. You could jog two rounds, and come back home. It would be fun."
I say, "What time?"
He says, "6.45."
I say, "Morning?"
He says, "Yes."
I say, "Ha, ha", turn and go to sleep.
He says, "Plus you'd meet everyone."
I deign to snore.
So Teja brings the lot over for breakfast. Now while I enjoy making huge, special lunches and dinners, for friends, family, neighbors, Dhanno's friends and sundry souls, anyone who expects breakfast out of me, usually gets banged on the head.
But this lot is so cheerful and excited after their practice, all boys again, dirty, sweaty, hungry, tired. And I can do nothing else but laugh with them, and get them something to eat. Teja makes khatta-meetha upma and I make them tea.
Anyone who wants to play with the Poets is welcome. Bring your own liniment and cold compresses along. And your own breakfast. Perhaps I will go one morning, and take some photos.
Sunday, April 13, 2008
Their very own room
I read this story at the Caferati meet yesterday. Half way through, I found my hands trembling violently, and my eyes losing focus. It's this fear of reading aloud to an audience that has kept me away for so long from the Caferati meets, despite the fact that I've found the forum a huge help in my writing. Any way, glad to say I conquered that fear yesterday. And had loads of fun. Here's the story - Their very own room.
That day, Shaku was very excited when she came to office. She hoped that Pamela would be on time today – she had such important news to give her. But she knew that Pamela was more likely to be late than early. As usual.
She looked for her in the queue outside the lift, but Pam was not there. She smiled absently at the others, and waited her turn to go up in the dusty, creaky lift, to her musty government office on the 5th floor.
She put her purse in her drawer, her tiffin under her desk, shuffled some papers in her inbox, and yet, Pamela was not there. The bell on her desk rang. Mr. Jadhav, her boss called her into his room, and then, there was no time to look for Pamela for another hour or so.
Pamela herself came up to her desk with a cup of coffee and opened a pack of biscuits at around 11. The rest of the vast office seemed deserted – everyone had gone for a break. Some were tea people, some were coffee people, but 11 o’clock meant stretching the legs a little, and gossiping for a while.
Shaku scolded Pamela for coming late.
“Hey, can’t you be early even one day? I wanted to tell you something.”
“So, tell me now.”
“Hmm. The fun of it is gone, no. I was bursting in the morning.”
“Oh ho, so burst now. Come on, what’s it?”
Shaku smiled radiantly. “We’ve got our very own room, now. Now we can get married. What?”
Pamela shrieked and clapped her hands, and hugged Shaku. “Wow, what news, men. Lucky girl.”
Shaku shook her head. “Not lucky, ha. You know how much we tried for this. Four years. Four years Tony and I are engaged, you know.”
Pamela nodded. “You have lots of patience. I would have got married by now.”
Shaku grimaced fastidiously. “No, re. I know, na, my brother and his wife. How they do all that. All of us in one room. Chchee! Like animals. I don’t like that. I told Tony I will never do like that.”
Pamela pinched her, mischievously, “Now you will do, na, in your own room? Or any more demands?”
Shaku blushed and smiled.
The marriage was lovely. Shaku wore white. Her bridesmaids wore lilac. Pamela was her maid of honor.
Pamela teased her before the reception, in the make-up room outside the hall, “Hey, virgin woman. Today last day, no. Where you going today, which hotel? No secrets, ha.”
Shaku said solemnly, “No, no, we are going home. Why should we go to hotel? Unnecessary cost. Our room is so nice.”
Pamela laughed, “Did you decorate it?”
Shaku smiled, “Yes, we put up little thermocol hearts, gold and silver, and white and lilac streamers. It looks beautiful.”
“And the bed?”
Shaku blushed, “Shut up, men. You have a one-track mind.”
Pamela snorted, “Oh ho, and what you have in mind for today, then, Mrs. Shakuntala Pereira? Choir practice, what?” They both laughed.
A big photo of Tony and Shaku glittering with tinsel was pasted at the entrance of the hall. “Lilac and white looks lovely, no?” Tony’s mother asked everyone who came in.
Tony and Shaku danced at the reception. The band played long after midnight. Tony’s embrace became hotter and hotter, and Shaku squirmed in his grasp, giggling. She was so happy, that she did not even cry when her mother embraced her, and bid her goodbye. Tony’s friends insisted on accompanying the couple to their room. Tony’s mother went along to keep decorum.
Tony carried Shaku into the house. All of them squeezed into the little room. Lewd jokes were whispered in deference to Tony’s mother being around. She passed remnants of the wedding cake around, and bustled in the kitchen, letting the young ones enjoy.
Suddenly, there was a crash. Tony’s mother had fallen. The young men rushed to her side, Tony lifted her gently and put her on the bed, decorated with lilac and white streamers. Tony’s best man called the doctor on his mobile.
Later, after everyone had left, Tony’s mother, drugged lay on one side of the marital bed. Shaku, stiff in her “bridal trousseau” nightdress, lay on the other. Tony lay near her, but on the floor. In the dark, they could hear his mother breathing. Tony pulled gently at Shaku’s toes, willing her to come and lie beside him. Shaku kicked his hand gently, and stubbornly did not move.
Tony’s mother stayed with them for a month. Shaku and Tony had not planned a honeymoon; they needed all the money they could save to pay back for their new house. They went back to work after 3 days. Shaku shook her head at Pamela’s questioning. Pamela shook her head solemnly.
Tony and Shaku met every evening at the bus stop, like they used to when they were courting. After a couple of days, Tony put his arm around her and kissed her, like he used to earlier. But Shaku pushed him away. “We are husband wife now, no. This looks so bad.” Tony and Shaku went home silently.
When she cooked in the tiny kitchen, Tony would hold her from behind, and kiss her neck. She responded warmly to him, but at the slightest noise from her mother-in-law, she would push Tony away.
Well, Tony’s mother recuperated. She wanted to go back home. She did not say much, but caressed Shaku’s cheek lovingly.
Tony dropped her off home, and then called Shaku at office. “Want to take leave, and come home? I’ll wait, or what?”
Shaku scolded him teasingly, “Very impatient, what? I can’t take half-day now. Unnecessary salary will get cut. You go to office, also. We’ll meet at bus stop. OK?” Tony agreed reluctantly.
At the bus stop, Tony said, “We’ll go home in taxi today. Come.” He dragged her, they sat down in a cab, laughing, exhilarated, finally to be going to their own room. They hurried upstairs.
Outside the door, they saw a suitcase. They looked at it suspiciously. At the end of the corridor, a silhouette smoked a cigarette. The person turned and came forward.
Tony yelled, “Oh, Dino. You. Where did you land up from?” Dino and Tony hugged. Shaku opened the door. Dino said, “I called up Aunty. She gave me your address. I just landed from Dubai, man.”
Dino’s luggage had got stuck in the customs at the airport. He had to get it out, before he pushed off home to Goa. Dino was Tony’s school friend. Of course, he would stay with them, while he sorted out his customs problems.
Shaku got busy cooking. Tony and Dino had a few drinks. Tony and Dino slept on the bed, Shaku slept on one side on the floor.
Dino stayed for a week. While leaving, he gave Shaku a gold bracelet, a wedding present. The bracelet was too large for Shaku, but she thanked him. Tony was going to leave Dino to the railway station. They gave Shaku a lift to the office. Tony told Shaku, “Take half-day today, no?” Dino laughed. Shaku glared at Tony.
Tony was not at the bus stop that evening. Shaku went home. Tony was lying on the bed. She snuggled up to him, thinking he was sulking. He was burning with fever. Tony got chickenpox. Shaku slept on the floor, Tony slept on the bed. During the day, his mother came to give him lunch, while Shaku went to office. Tony got well after 15 days.
Pamela asked Shaku everyday, “What? It happened, or no.” Shaku would get irritated at Pamela’s insistence on knowing. But she shook her head, not being able to lie. Pamela frowned with sympathy. Shaku tried to avoid her as much as she could. Pamela was hurt.
One day, Pamela came to office with a swollen eye. Her stepfather had beaten her again. He was a drunkard and beat Pamela’s mother regularly. Once in a while, Pamela got some of his blows, for being her mother’s daughter, or just for coming in his way.
During lunchtime, when Shaku asked her what had happened, Pamela sobbed and sobbed. She did not want to go back home. Shaku, outraged, asked her to come home with her. Pamela grabbed the opportunity eagerly. “Really, really, I can come? I’ll stay only for a few days, till I find a room of my own.” Shaku nodded.
Shaku and Pamela slept on the bed, while Tony slept on the floor. Tony and Pamela crossed each other awkwardly near the bathroom, or near the kitchen. Tony was withdrawn with Shaku. Shaku would try and hold his hand at the bus stop, but he would jerk it away. He did not even try very hard to get a seat next to her, in the bus, like he used to earlier. Pamela looked desperately for a room, but after a month of trying, she decided to go back home.
After office that evening, Shaku and Tony were alone at home. Both were silent, tired. Shaku slept on one side of the bed, Tony on the other, both turned away from each other.
The next day, Tony hugged Shaku as she made breakfast. She kissed him eagerly. She whispered, “Let’s take leave from office today.” He held her close. The doorbell rang. It was Tony’s mother. Her toilet had got blocked. The landlord would repair it after a week. She could not live there until then.
And so it went on. People walked in and out of Shaku’s very own room. Very often, other people besides Tony and Shaku slept on their very own bed. Tony and Shaku worked hard all day, all year, for many years to pay off the housing loan they had taken for their room.
Shaku learnt to kiss Tony in the kitchen when no one was looking. Tony made Shaku laugh again. Somehow, in a couple of years, Tony and Shaku even managed to have a baby, and then after a few more years, another one. The little room was painted several times, and every day, it became brighter and cleaner with Shaku and Tony’s care.
Batul Mukhtiar, April 2008
Saturday, April 05, 2008
The Gangster’s Moll (sheer nostalgia)
Much before I joined the Film Institute as a student, I began to go there as a reluctant actress. I was flattered at first by the offers that came my way, but soon realized that in the conservative town that Pune was then, the Film Institute with it’s reputation of rowdy, ‘junkie’ students was not exactly one where parents were keen to send their young daughters.
However it may have been, I found myself doing all manner of incomprehensible things in the Tarkovsky-Bresson-Godard influenced student films. “Walk, no, more slowly, more slowly, walk to that window, then look out, then turn slowly, no, more slowly, and smile.” That was the least of it.
I spent one evening floating on a makeshift raft in the middle of a make-believe pond in the ancient Studio No.1.
Another day, I was put to playing the guitar. Since it was the first time, in my 23 years, I was holding one, I did what most Hindi film actors do, plucked away on the strings with huge gusto, swaying my head, my shoulders and arms in what was meant to be musical involvement. I wonder now how the director hid his horror, though I’m certain the crew went back to their hostel rooms that evening and bitched about what an idiot I was.
Once someone wanted to recreate Vermeer’s paintings in his film, and I spent a week, reading letters at a window, and pouring milk from a jug and so on.
So, when I did become a student at the Film Institute, and had some voice in the proceedings,
and Gurpal, the irreverent, wicked Sardarji decided to make a spoof on Hindi films as his diploma, I begged and pleaded to be the vamp in his film. Being one of only six women in a campus full of boys, I knew there would be a role for me, but what I wanted was to be the gangster’s moll, nothing else. I’d had more than enough of playing strange, mysterious women, whom I knew nothing about. Gurpal, perhaps out of pity, agreed.
Out came the bottles of make-up that I had hoarded all this while, out came the eyeliner, and the mascara, and the shiniest eye shadow I could find. I worked out elaborate designs for my hair, for fake moles and fake tattoos. I went scrimmaging in the musty, forgotten trunks inherited by the Costume Department, from the Prabhat Studio, which no one ever used any more. I found odd, jangly, grotesque bits of jewellery, masks, eye-patches. I rummaged for shiny, satiny costumes, and wondered if I could make holes in them,
a la Bindu
or Faryal
or Sonia Sahni,
then aware of the smelly bits of history I was holding in my hands, I refrained from using my scissors. I found a cigarette holder for one hand, and a gun for the other. I practiced crossing my legs with a mini-skirt on, and more than ever, I practiced leering lecherously at good, nice men, one of whom would be the hero, who would rather die than be tempted by me.
Finally, perched on the armrest of the gangster’s throne like chair, legs daringly crossed before the entire set, cigarette holder and gun held proudly aloft, I reached the peak of my acting career. After that role, I did not ever want to essay any other. I had been the gangster’s moll. No way you were going to catch me smiling vacantly out of set windows, onto dark studio lots again.
By the way, Teja played the hero in this film, a village boy who fights twenty villains at the same time.
However it may have been, I found myself doing all manner of incomprehensible things in the Tarkovsky-Bresson-Godard influenced student films. “Walk, no, more slowly, more slowly, walk to that window, then look out, then turn slowly, no, more slowly, and smile.” That was the least of it.
I spent one evening floating on a makeshift raft in the middle of a make-believe pond in the ancient Studio No.1.
Another day, I was put to playing the guitar. Since it was the first time, in my 23 years, I was holding one, I did what most Hindi film actors do, plucked away on the strings with huge gusto, swaying my head, my shoulders and arms in what was meant to be musical involvement. I wonder now how the director hid his horror, though I’m certain the crew went back to their hostel rooms that evening and bitched about what an idiot I was.
Once someone wanted to recreate Vermeer’s paintings in his film, and I spent a week, reading letters at a window, and pouring milk from a jug and so on.
So, when I did become a student at the Film Institute, and had some voice in the proceedings,
and Gurpal, the irreverent, wicked Sardarji decided to make a spoof on Hindi films as his diploma, I begged and pleaded to be the vamp in his film. Being one of only six women in a campus full of boys, I knew there would be a role for me, but what I wanted was to be the gangster’s moll, nothing else. I’d had more than enough of playing strange, mysterious women, whom I knew nothing about. Gurpal, perhaps out of pity, agreed.
Out came the bottles of make-up that I had hoarded all this while, out came the eyeliner, and the mascara, and the shiniest eye shadow I could find. I worked out elaborate designs for my hair, for fake moles and fake tattoos. I went scrimmaging in the musty, forgotten trunks inherited by the Costume Department, from the Prabhat Studio, which no one ever used any more. I found odd, jangly, grotesque bits of jewellery, masks, eye-patches. I rummaged for shiny, satiny costumes, and wondered if I could make holes in them,
a la Bindu
or Faryal
or Sonia Sahni,
then aware of the smelly bits of history I was holding in my hands, I refrained from using my scissors. I found a cigarette holder for one hand, and a gun for the other. I practiced crossing my legs with a mini-skirt on, and more than ever, I practiced leering lecherously at good, nice men, one of whom would be the hero, who would rather die than be tempted by me.
Finally, perched on the armrest of the gangster’s throne like chair, legs daringly crossed before the entire set, cigarette holder and gun held proudly aloft, I reached the peak of my acting career. After that role, I did not ever want to essay any other. I had been the gangster’s moll. No way you were going to catch me smiling vacantly out of set windows, onto dark studio lots again.
By the way, Teja played the hero in this film, a village boy who fights twenty villains at the same time.
Wednesday, April 02, 2008
Greenbeard
Greenbeard is a new 'artlit'zine, edited by a blogger friend, Madeleine in the Shade. Check it out.
Indeterminacy's short story, Timbuktu is goo..oo..od.
There's some stuff by me too.
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